Shadows Are No Longer Enough: Review of SHADOW WEAVER

I received an eARC of this book from Netgalley in exchange for an honest review.

Ever since Emmeline was a baby, she has had the ability to control shadows—and ever since Emmeline was a baby, she has had Dar. Dar is her only friend, her shadow, the voice that she speaks to when others, including her own parents, are terrified of her ability to shadow craft. Her parents’ fear of their daughter’s ability lead them to accept an offer from a noble family—to take away Emmeline and cure her of her talent. Dar agrees to help Emmeline keep her talent by changing the noble’s mind about taking her away, if Emmeline will help her turn from lost soul to the human she once was when the blood moon comes in just over a week’s time.

She agrees, but the next morning, the nobleman doesn’t wake up—found in a coma—and Emmeline is to blame, as a witness saw a long shadow near his body. Afraid of the punishment she might receive, as the only one capable of doing such a thing, Emmeline runs away with Dar to help her become human again. As Emmeline explores the world beyond her family’s estate and woods for the first time—and makes her first real friends—she begins to wonder if she can trust Dar. Would Dar lie to her? Emmeline is unsure, but she has to figure that out soon as she works towards helping Dar become human—that’s what friends would do, right? Especially for friends who have always been by your side—literally?

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WOW, OKAY. Time to gush, now that the summary is out of the way.
I was super intrigued by the premise of this book when I saw it on Netgalley. The ability to control shadows gave me a Darkling vibe (from the Grisha Trilogy), and I was fascinated to see how that power would play out in a middle grade fantasy setting instead of a young adult fantasy setting. Needless to say, I was quite pleased. Paired with Dar, Emmeline’s narrative voice is strong, as she talks to her throughout the novel, even though the book’s set up was a bit slow. Once Emmeline and Dar ran away (this happens fairly quickly, too), the book really picked up speed, and the world building was impressive for a middle grade novel in how the book handled other people with talents.

What I didn’t expect from this book was a rich exploration of a toxic friendship, but that was what I got. The toxic friendship in the book is clear from its summary, as Emmeline wonders whether or not she can actually trust Dar, and this snowballs throughout the plot, as Emmeline is able to depend less and less on Dar for friendship. This was the most impressive part of the book for me, especially as we see Emmeline’s friendship with Dar juxtaposed with the kindness she receives from a family she meets on the run from the noble’s soldiers.

The sequel seems like it will hinge on the world building that was crafted here, with the talents that some characters have, but this first novel was really about the relationship between Emmeline and Dar and how that worked in combination with the magical elements of the book.

Overall, this was an impressive start to a middle grade duology, and I’m definitely excited to see how Connolly resolves everything! This is a book I wish I’d had in middle school, if only for the message that sometimes friends might not actually be your friends (but also for the fantasy, because I really did love it and think a middle grade audience would love it as well).

Preorder the book from any of these places before it comes out in January: Amazon, Barnes and Noble, Indiebound
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REVIEW: Sold by Patricia McCormick

Mumtaz is a monster, I tell myself. Only a monster could do
what she does to innocent girls.
But I wonder. If the crying of a young girl is the same to me
as the bleating of the horns in the street below, what have
I become?

Patricia McCormick is a two-time finalist for the National Book Award, and in Sold, nominated in 2006 for the award in Young People’s Literature, it is easy to see why.

Readers are immediately taken beyond what most are familiar with to thirteen-year-old Lakshmi’s village in Nepal. Here, Lakshmi lives in poverty with a gambling stepfather, a loving mother, and a younger brother who might not survive the year, hoping that one day, her family might be able to afford a tin roof for their home. Their situation only worsens when a monsoon destroys their crops, and, in order to support her family, Lakshmi is forced to take a job as a maid in the city.

Or so she thinks.40577411

In what is a stunningly poetic, but still simplistic, novel, drawing upon stories from real Nepalese survivors, Lakshmi is instead sold away into sexual slavery, taken far from her village to India, where she quickly finds herself face to face with the reality that in order to pay off her family’s debt, she must work as a prostitute. What does not become clear to Lakshmi until it is too late, though, is the fact that Mumtaz, who runs the brothel, is cheating her of her earnings by charging her for rent, for food, and is keeping her trapped.

While Lakshmi bonds with the young women also trapped in this life, she still conspires to pay off this debt so that she may leave — but how can anyone survive this nightmare?

The nightmare of sexual slavery is an abhorrent reality. McCormick excels in using quantifiable information as well as imagery to convey this reality in lines such as the following:

Thirty rupees.
That is the price of a bottle of Coca-Cola at Bajai Sita’s store.
That is what he paid for me.
Then I catch sight of a girl in the mirror.
She has blackened tiger eyes and bleary chili pepper lips.
She looks back at me full of sadness and scorn and says,
You have become one of them.

Readers will hope against hope for Lakshmi’s survival and escape, will be stunned with anger with the realization that 30 rupees is less than 50 cents, and will be rocked emotionally in ways they never thought possible.

To learn more about survivors of sex trafficking, look into the documentary The Price of Sex by Mimi Chakarova, which details the horrors in Eastern Europe.

Sold has also been adapted into a film directed by Jeffrey Brown and executive produced by Emma Thompson. Click here to watch the trailer.

Here are the U.S. State Department’s 15 ways we can help fight sexual trafficking.

But above all — if Lakshmi’s story moves you, champion the novel, support survivors, and start researching.

From Concrete to Debris: Side Effects May Vary

“I knew what this looked like. It looked like I was using Harvey. But here was the reality of the situation: the minute my life went from semipermanent to most likely temporary, I decided to latch on to everything in my world that had always been permanent, and for me, Harvey was so permanent he was concrete.”

In Julie Murphy’s first novel Side Effects May Vary, childhood best friends Alice and Harvey find themselves together again after Alice is diagnosed with leukemia. Divided between Alice and Harvey’s perspectives in chapters titled “then” and “now,” the novel follows the two on every path of Alice’s journey with cancer, from the beginning of high school and her revenge-filled kick-the-bucket list to the other side, where Alice learns she’s in remission.

But is remission the good news it should be? For Alice, who was preparing to die, the situation is bittersweet as she must now deal with the repercussions of her actions and face the realities of her relationship with Harvey, especially as he struggles with his feelings for her, reflecting, “But, really, I loved her, and that hurt the worst of all because I was tired of being her debris.” Will she lose the best friend she finally connected with again when she was dying? Or will she find a way to adjust to truly living once more without pushing Harvey and his love away?15728577

Murphy has crafted narrators that both fight and balance each other as they struggle to find their footing in their own past and present. Alice’s narration is particularly polarizing, allowing for Harvey’s emotions to inform the reader as Alice breaks down both the manic pixie dream girl trope and the interplay of likable and realistic narrators, as she describes, “I was rotten on the inside, and I didn’t know if that had happened over time or if it had always been so.” While the novel hinges on Alice’s diagnosis, the real meat of the plot concerns the very side effects of the diagnosis, pre- and post-remission, and how it impacts each character as they collide with Alice and Harvey’s story.

This review is also available to read on the Midwest Writers Workshop blog and on my Goodreads.