Last fall, I took a class called “Teaching Writing in Secondary Schools.” While that may not sound exciting to some, it’s obviously quite crucial for someone who’s going to be an English teacher.
This semester, I’m the TA for that very same class, and in both of those semesters, one of the first activities is to make a list of our writing territories.
Translation? We compiled our own lists of topics we’d like to write about, genres we’d like to try, and audiences we’d like to write for. As I was looking through my old notes from the first time I was a part of the class, I saw that for genres I’d like to try, I wrote “poetry.”
This semester, I also wrote “poetry” on that genre list.
On Sunday, not only did I have a completed poem waiting on my Evernote, but I read that poem out loud and tried to control my shaking hands. I did what I set out to do, and, goodness, it was simultaneously the most thrilling and nerve-wracking thing I’ve ever done.
“But Rachel,” you’ve started asking, “You’re going to be a teacher — you must be a good writer. How could you be scared of sharing your writing like that? And you know you’re going to have to share your other writing with your students, right?”
Whether or not I’m a good writer is a question I find myself frequently agonizing over, but it wasn’t a matter of whether or not I thought the poem was good (side note — poetry is hard; I struggle more with poetry than any other kind of writing) — it was a matter of the content and the delivery.
My poem (which might make its way to Reacting Out Loud’s YouTube channel if the audio came through; open mic night without a mic was certainly an exercise in projecting, but it made the night infinitely more intimate, I think, as I found myself really listening to the many talented poets that read and shared their work) was about fatness. And mermaids and the goddess Aphrodite, but primarily about fatness.
This was what made the night so nerve-wracking.
I rarely call myself fat because the term scares me. I have heard the word thrown around like a curse, like something to be whispered because obviously this person isn’t aware that they’re bigger than you, and like something to be screamed as an insult. I had never heard the word used positively and without judgment until this year.
The content, here, the very word “fat,” is something I agonized over. I have always used the word “overweight” to describe myself, and I found myself using the word “plump” in my poem, but the word that was repeated most in the poem was “fat.” I called myself fat and described what it feels like to be fat, but not that fat and not that skinny, while standing on a stage, on a little platform where people could see exactly how big I was.
There, the delivery becomes terrifying. I could not hide behind my words because I was my words. This was me on the page (um, app, really, since I didn’t print out my poem) and I was asking people to accept that.
And they did.
One of the key components of Reacting Out Loud is, simply, reacting out loud. Vocalizing when you hear lines you like, snapping and showing the poet that you appreciate their craft and appreciate what they’re doing.
I was petrified that Two Cats Cafe would be deadly silent as I read, but instead, I was so supported that even as my hands were shaking so violently that I was afraid I’d drop my phone, I knew that I had to keep going because people were listening to me and cared about what I was saying. They were snapping and hollering and I had to continue onwards.
When I stepped off stage, the applause was thunderous, and I almost collapsed in on myself in relief. I had made my way back to my table and yet still people were clapping. People came up to me afterwards and said that they loved my poem; I received hugs and handshakes, and I was still shaking, but I was the good kind of shaky.
I had entered a world that I had previously only admired from afar, and I felt welcomed. I felt as if I was one step closer to becoming a goddess.